David Verdaguer, a prominent actor from Malgrat de Mar, Barcelona, finds himself in Madrid on the afternoon of San Isidro. Fresh off a flight from the Canary Islands, he greets with a candid admission of fatigue, yet assures, "I'm good, very tired, but you'll see how I perk up." Moments later, with a non-alcoholic beer in hand, his vivacious spirit emerges, reminiscent of his comedic roots. Today marks the premiere of "El mal invisible," a series developed by Mediapro Studio and 3Cat, inspired by a true story of a serial killer targeting the homeless in Barcelona during the 2020 lockdown. Verdaguer describes himself humorously as "very clever, but not intelligent," with a notable sense of humor, a stark contrast to his oft-cast roles as a "sad Catalan."

When questioned about his fascination with true crime, particularly given his latest project, Verdaguer confesses a detachment from such grim narratives, likening them to horror films that he can only endure in company. "There's something sensationalist about them," he admits, acknowledging the genre's morbid allure. Despite portraying a police officer in El mal invisible, Verdaguer distances himself from method acting, relying instead on imagination to capture the essence of his new, more abrasive character—a departure from his usual roles.

Reflecting on his career, Verdaguer notes a shift from playing "sad Catalans" to more complex, flawed characters. This evolution has stirred a desire to embrace villainous roles. Despite the humor in his performances, Verdaguer often speaks of his fears, which seem to amplify with each passing year. He openly discusses the challenges of balancing professional growth with personal insecurities, a sentiment resonating with many in the creative arts.

Fame, for Verdaguer, remains a balanced affair. In Catalonia, he enjoys recognition without the overwhelming pressures faced by more globally renowned actors. He maintains that while some individuals make more noise, the majority are inherently good—a belief echoed by his grandmother.

Outside of acting, Verdaguer cherishes literature, citing works like John Williams' Stoner and Magda Szabó's The Door as recent inspirations. His journey into the arts began in childhood, driven by a sense of humor that shielded him from ridicule. His first role in TV3's El cor de la ciutat led to diverse experiences, from theater productions to unconventional jobs, each enriching his craft.

In a lighter vein, Verdaguer recounts his past antics as a teleoperator, where he amused himself with impersonations, a talent that eventually led to his dismissal. Even in domestic life, his comedic attempts with his daughter sometimes fall flat, reminding him of the relentless honesty children possess.

As for future endeavors, Verdaguer remains open to exploring new and challenging roles, driven by a passion that has fueled his career since childhood.